NATASHA, PIERRE & THE GREAT COMET OF 1812 (2026)

The company numbers were among the most impressive, featuring elaborate choreography, precise synchronization, and stellar vocal harmonies from the entire cast. The ensemble was integrated into the musical, with their presence—or absence—noticeable in the musical numbers. With the entire company on stage, it was easy to feel the chemistry among the cast, which translated into a natural camaraderie among their characters.
– The McGill Tribune

As the first light flickered on the Theatre Plaza stage, a brooding voice sang in harmony with the violin. I realized I would not simply watch the show and go home. This was, in every sense, a show that transported its audience into an emotional and magical world, the exact way a musical should.
– The Bull and Bear

La passion de la troupe crève les yeux. Sourires aux lèvres et regards brillants, les interprètes dégagent un enthousiasme hautement communicatif. Le public se prend lui aussi à sourire en les regardant. Tout au long du spectacle, leur professionnalisme est indéniable : le jeu est impeccable, les chorégraphies parfaitement réglées, le tout étant le fruit de plusieurs mois de travail acharné
– Le Délit

The show’s immersive qualities are what really made it special, especially for the select audience members who were chosen to experience dance sequences on stage with the cast. Even those sitting in the balcony were included in the performance, with the actors running and dancing up the stairs. The musical made use of every possible part of the theatre, and seeing actors singing and dancing just a few seats away in the aisles of the balcony […] ensured that every single audience member was in on the fun.
– The McGill Daily

Production Team

Program and Media